Hi,

I’m Immaculata, a researcher and artist, and I’m open to commissioned research projects on how things get made in West Africa, and how we are making sense of the world.


for a career bio, visit here.

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Note: 

I’m still holding on to Grace Lee Boggs’s words via adrienne maree brown: Each one of us is an individual practice ground for what the whole can or cannot do, will or will not do. I’m completing another journey round the sun/the groove of looking at what people (and systems and countries) are doing as what they are practising. Not a badly done version of something else.

The Fire in My Memory, winner of 2023 Abebi Award in Afro-Nonfiction on life after the Sosoliso plane crash

Whom Did He Love?,  The Brooklyn Rail (2022) hard to say that any one thing is my favourite thing I’ve written but this is often it

Will Africapitalism Save Africa?, Le Temps (2022)

Can Green Hydrogen tackle Nigeria’s persistent energy poverty?,  Unbias the News  (2023)

In the Dark in Nigeria, Popula (2023)
what poor electricity does to our minds


Face the Music, Wuruwuru/ Wax Poetics (2023) 
on re-constructed Nigerian identities in 1970s album covers