Hello, I am a Nigerian researcher, writer and artist.

My work has been screened, exhibited and published widely on platforms such as Le Temps (Switzerland), The Brooklyn Rail (USA), The Guardian (UK) and Jameel Arts Centre (UAE).

I was a 2021 journalism fellow with African Arguments, a 2021 artist grantee with the Black Art Joy project (UK), a 2022 writer-in-residence at the Library of Africa and the African Diaspora (Ghana), an architecture research fellow on the 2022 DOCOMOMO Shared Heritage Africa project, and a 2023 participant of the New York Portfolio Review. I have an academic background in history, literature and cultural theory and degrees from Queen Mary University of London and University of Oxford.

I am passionate about the value and power of research, humanities education and cultural institutions. To this end, I am building Studio Styles: a research, curatorial and creative studio enabling deeper connections to our selves, histories, communities and environments. I earn my living as a freelance writer and multi-media artist creating research-driven stories and insights.

I am available for editorial, documentary and research commissions anywhere.

self-portrait August 2023

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Recent highlight: 

My 2022 short film 'You Matter to Me', made under an artist fellowship with the Creating Black Joy project, has been screened at the BFI London for Film Africa festival (UK), the Enugu International Film Festival (Nigeria), the Los Angeles County Museum of Art(USA), Jameel Arts Centre (UAE), and the Library of Africa and the African Diaspora (Ghana), the the 27th Internationale Kurzfilmtage film festival (Switzerland) and more.

Forthcoming: Lagos.

Grants & Recognitions:

2023                        Wasafiri life writing prize longlist (for essay on aftermath of 2005 Sosoliso plane crash)
2023                        Best of 2022 Economics Writing, The Republic Journal (for essay on Africapitalism)
2021                        Creatives Bootcamp grant, Abuja Literary Festival (for Studio Styles)
2021                        Artist grant, under the ‘Creating Joy: Art, Refusal and the Worlding of Black Lives’ project (to make You Matter to me)

Conference Presentations:

  • Aug 2021                               ‘Politics of control and consumption of colonial commodities: guns and alcohol in Southern Nigeria (1890- 1945),’ paper presented at the Institute of Historical Research (IHR London) Graduate Conference

  • Jan 2019                               ‘Economic nationalism and masculinities in late colonial Nigeria,’ the only paper presented by an undergrad at Africa and World War II conference (funded by the British Academy), Queen Mary University of London

Workshops facilitated:

Academic Publications:

                        Access my paper directly through this link.

Photo Publications not on this website:

2022                        Education of the Tumblr Girl-now-Artist (self-portraits, digital collage), HAPAX Issue 3
2022                        Black Women Photographers on International Women’s Day, The Guardian (print)
2019                        In The Hands of God We Rendezvous, Saraba Mag
2017                        Way of Seeing, Saraba Mag

Group Exhibitions:

2022                      Cosmos of Space, of Place and Time (Nlele Institute), Recontres de Bamako
2021                       The Wrong Biennale (curated by olakiitan adeola, ftbc)
2018                       Off the Track festival, Battersea Arts Centre
2018                       QM Visual Arts Collective show, Hundred Years Gallery

Fellowships, Mentorships & Reviews:

2023                        New York Portfolio Review 
2023                        The Nlele Institute, Professional Development Workshop
2022-2023           Shared Heritage Africa architecture fellowship of African modernism
2022-2023           SBMEN and Goethe-Institut Nigeria Art Writing and Criticism Workshop

2022                        Writer-in-Residence at Library of Africa and the African Diaspora, Ghana
2022                        Lagos Photo Festival x Reuters Portfolio Review (best portfolio prize)

2021                        African Arguments Pilot Journalism Fellowship
2021                        Tampered Press Workshop with Lesley Nneka Arimah and Mamle Kabu
2021                        The Nlele Institute Portfolio Review
2021                        Introduction to Photographic Histories, The Photographers’ Gallery

2020                       SBMEN Creative Writing Workshop
2020                       For Creative Girls, Business Development mentorship with Hallie Haller

2018                        Arvon Foundation writers retreat with Malika Booker and Polar Bear
2018                        Photo Scratch

2017                        Apples and Snakes Writing Room with Roger Robinson
2017                        Writivism Emerging Writers program
2017                        Digital Photography Summer school, University of the Arts London

2016                        Youth Editorial Program at the Royal African Society’s Africa Writes

Previous Editorial Jobs:

2022                       Senior Editor at Tech Cabal (Africa’s leading technology publication)
2021 - 2022        Contributing writer for AMAKA Studio (where I wrote about African women in the business of agriculture, art, tech & more)
2021                       Inaugural freelance journalism fellow at African Arguments

Academic background:  

BA  History and Comparative Literature, QM University of London
  • history dissertation on value and anti-colonial resistance in the use of firearms and liquor in southern Nigeria 1890-1969
  • literature dissertation on writing tyranny on the body in Kafka’s ‘In the Penal Colony’ and Uzoma’s ‘Quasi School of Taught’

MSt Global and Imperial History, University of Oxford

  • dissertation on the economic lives and thought of Kumasi market women 1970-1995
  • long essay on time, temporality and anti-colonial movements in Nigeria 1900-1945

Proud member of:

Indigenous Photograph collective
Black Women Photographers
African Photo-Journalism Database, World Press Photo

Here’s a 2023 Q&A.

*the photograph in the background was taken in 1911 by N. W. Thomas, the first ‘Government Anthropologist’ for the British Colonial Office in present-day Anambra State (Enugu was once part of Anambra State).

I wrote about the photograph for The Brooklyn Rail here

Copyright - Immaculata Abba (2017 - 2023)